We have three Cherry Blossom themed works in stock:

A full size, timber framed, toughened door panel and it’s two siblings, Cherry Blossom Landscape and Cherry Blossom Diptych.

These are intricate and  delicate designs whose metallic colouring is a luscious peach/pink/red with gold and black detail.

Their sizes and prices are listed in the Works for Sale section.

We will be closed from Thu 22 Dec, returning Mon 16 Jan 2012. Please feel free to contact us during this time and we’ll get back to you upon our return.

Happy holidays!

~ Leslie Karl Baxter & Wendy Allison

Edge Grip Wall Mounts are $28 each (plus gst).

The recently constructed St Paul’s primary school in Coburg required their new logo to be featured in the entry foyer. This was achieved by using a combination of techniques: a cast form for the translucent copper/blue Mercy Cross, soft crosses formed in the texture using yellow gold colouring, and sandblast for the main image on handmade royal blue glass.

Click here for more photos of this installation, and other ecclesiastical work.

It’s been designed and developed by Colette Watson of Goodling, with project management by Jess Allison of That Mob.

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~ Leslie “Karl” Baxter & Wendy Allison

The design for the new windows for St. Anne’s has therefore been based in the basilican tradition of simple coloured glass panels allowing soft and colourful light to illuminate the gathering space (the Nave) and the Sanctuary with a spiritually uplifting atmosphere. The recent technical advances that have become available with the manufacture of glass, have allowed the designer some latitude in their construction, and made available the opportunity to take this style of window design to previously unavailable presentations. So we have in the new windows not only beautiful coloured glass, but panels arranged in such a way that themes and representations can be distinguished.

The nave in which the people assemble has its windows representing the theme of a field of wheat. Jesus used this reference a number of times in his parables to represent the people of God. Panels of blue represent the waters of baptism (at the font end) nurturing the wheat field, and the Holy Spirit is represented by swirling strokes in the glass blowing the fields to spiritual maturity and strength.

The two windows on the eastern side of the sanctuary have the fields of wheat coming to maturity (golden brown), and continuing to have the influence of the Holy Spirit’s wind strokes. The field is nurtured by gifts from God, including water (blue) sent from heaven (purple.) This gift is particularly treasured in this driest of lands. The symbol of the fish is reflected in the shimmering water, being an historical connection between this modern basilican church and its twenty-first century congregation and the early Christian Roman community that used this symbol as a means of identification and communication in original Roman basilica times.

The two windows on the western side of the sanctuary also have the fields of wheat coming to maturity (golden brown), with the continuing motif of the strengthening influence of the Holy Spirit blowing a wind through them. The field (people of God) has been redeemed by the shedding of the blood of Christ (red) which is re-enacted during the Mass and daily recurring in this Sanctuary. The divine nature of the redemption is indicated by it emanating from heaven (purple) and it is identified by the name of Jesus reflected in it (in the original Greek language of the gospels – IHS).

Designed by Leslie Baxter and Mark Howard and manufactured by Architectural Glassworks.

Click here for more photos of this installation, and other ecclesiastical work.